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transfer

I didn't throw a rock through a window, I made a drawing

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I'm interested in forms of interchange and the aberrations and novelties, intentional or not, introduced by the act of correspondence: what happens when one or more things come in contact with each other. These are dematerialized traces/residues, not sketches, with occasional brutal tears and other scars. I'm unconcerned with formal characteristics except as a by-product of the fabrication.

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In the age of digital "perfection" I'm also drawn to the inherent rawness of mark making, coupled with the impossibility of reversal. There is no Command z. I find this imperfect medium a compelling method of examining this phenomenon and of facing my own fears of imperfection.

To make the works I rub paper-wrapped stones against a second graphite coated piece of paper, resulting in 2 "drawings" each a reflection of the other's influence and force. I also photograph the process and the artifacts. I think the photos look a bit violent: like barbed wire or hurt skin. At first I was shocked by them but I think they reflect the sometimes cruel nature of exchanges and barriers. We live in vacuums of our own making with odd interstices and junctures of influence.

top: installation views, Montserrat College of Art , 2023
right: 3D printed and “real” pinecones both: mixed media including  paper, paper pulp,  plastic, astroturf, coal

transfer stone pink BCA all IMG_8324 900ox wide.jpg
transfer stone duo for web copy.jpg

top: drawing stones and closeups of a reflection drawing, front and back (both sides of one of the original graphite coated papers)
Paper, rubber bands, graphite. 2018.

middle: untitled, color digital prints, acrylic paint, yellow plastic caution sign. 26"(w) x 40"(d) x 24"(h) . 2019.

bottom left: transfer 10, color digital print. 20"(w) x 30"(d). 2020.

below right: transfer 4, color digital print. 20"(w) x 30"(d). 2018

© 2025 by Georgina Lewis.

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