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I am drawn to points of slippage. I rephotograph photographs. I process speech to the point abstraction: delineating the stages at which language starts to break down and become just a sound, with formal, but no longer linguistic, significance. I meticulously repaint wood grain. Iím trying both to change and to maintain; to evoke mimesis and mutation, to insert myself at that ever changing juncture which is both the present and the future. I do so with a mix of humor, pathos, and fascination.