Georgina Lewis  
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projects

these things might kill me
(or you too)

transfer

#desklabor

images of a future
without care

group project; not a DNA test

Moonfarming
- an Illustrated Encyclopedia

the shut palace of the queen
- 24 HOUR POEM BARAGE

recent common ancestor

The hedge set about the
vineyard: Bumpkin Island
Border Control

sound

text

drawing

objects




drawing

Periodically I go back to drawing: because it's hard, because it pushes me to take risks, because it's a force of rematerialism and reckoning in the digital age, and because I like the sound.

Defining a conceptual ground for a non-representational drawing can be tough; sometimes I add photographs and objects, not so much for context as to open up a space for discourse. Many of my drawings function as documentation, or possibly even photographs: of actions and processes, and of objects and surfaces obscured by paper

Recent drawing projects include #desklabor, transfer, and the images contained in if you were going to make a book about dying trees (what would you call it).

images
top: untitled,
Molded paper pulp, graphite, yellow plastic chain. 2019.

above left: obstruction drawing: rock in soil.
One of a series of "drawings" made by placing paper on top of objects and rubbing the paper with graphite. 2018.

above right: untitled
Molded paper pulp, graphite, orange gaph tape. 2019.

below left: untitled
Molded paper pulp, graphite, orange gaph tape. 2019.

below right devil man (detail)
Graphite on paper. 2007.