**birdfur**

education
Bard College Annandale-on-Hudson, NY. MFA
School of the Museum of Fine Arts Boston, MA. diploma
Massachusetts College of Art Boston, MA. special student
Franklin and Marshall College Lancaster, PA. BA

exhibitions/performances
2007
Collision 11 . Curated by Jack Backrack and Dan Paluska. MIT , Cambridge, MA. (upcoming)

2006
Unsafe2 Festival. Sonic Arts program. The Lighthouse. Poole , UK.
CAKE. Axiom Gallery. Cambridge , MA.
Digital Art Weeks: Stereolith Works Program. Zurich , Switzerland.
The Thread Counts Project. Curated by Luanne Stovall and Leila Lee Mitchell. GASP. Brookline, MA.
Spark Festival of Electronic Music and Art 2006. University of Minnesota, Minneapolis, MN.
The International Women's Electroacoustic Listening Room Project: Voices on the Edge. Curated by Pamela Madsen. Weisman Art Museum, Minneapolis, MN.
Collision 9. Curated by jackbackrack, Dan Paluska, and Brian Knep. Art Interactive, Cambridge, MA.

2005
Sounds Electric ‘05. National University of Ireland. Maynooth, Ireland.
Aqua Art Sound Broadcast. Curated by Susan Robb. In conjunction with Art Miami. Miami Beach , FL.
Beastyfeast. Curated by Alexandra Metral. Arlington Center for the Arts. Arlington, MA.
Collision 8/ el ocho. Curated by jackbackrack, Dan Paluska, and Brian Knep. Art Interactive, Cambridge, MA.
FILE 2005: Electronic Language International Festival. Sao Paulo, Brazil.
MFA Thesis Show. UBS. Red Hook, NY.
Art Word: Word Art. Wayne and Geraldine Kuhn Fine Arts Gallery. Ohio State University at Marion. Marion, OH .
Merging Voices: Fourth Annual Women in New Music Festival. Listening Room. Curated by Pamela Madsen. Cal State Fullerton. Fullerton, CA .
This is Not an Archive. Center for Curatorial Studies. Annandale-on-Hudson, NY.
Art's Birthday. Web-cast by reverie: noisecity. Vancouver, BC.

2004
Postcards from the Edge, Visual AIDS benefit. Brent Sikkema Gallery. New York, NY .
7th Annual CEAIT Festival. REDCAT (The Roy and Edna Disney/CalArts Theater), Los Angeles, CA .
Women's Listening Room. CSUF Recital Hall , Cal State Fullerton. Fullerton, CA .

2003
The Diagram, issue 3.6. Winter 2003/4, curated by Shannon Fields.
Pulse Field. Georgia State University Galleries. Atlanta, GA.

2002
Student Voices: Independent Work. Grossman Gallery. Boston, MA .
The Synergetic Ensemble. The Berwick Research Institute. Curated by David Matorin. Boston, MA .

2001
Why Pinhole? Visual Studies Workshop. Curated by Stephen Eckel. Rochester, NY .
Dangerous Waves: Art of Sound. School for the Museum of Fine Arts. Boston, MA.
The Seeds of Cinema. The Robert Beck Memorial Cinema. New York , NY.

2000
Roll Call . The American Cinema Classics Appreciation Society Pop-A-Top Bijou. Boston, MA.

1999
Group Show. Center for the Visual Arts of the University of Toledo. Toledo, OH.
Celebrating New Technologies. The Photographic Resource Center. Boston, MA.
Video screening. Pan 9. Allston, MA .
Love and Despair. National Video Boston. Boston, MA.

broadcast
free103point9. Giant Ear))). Brooklyn, NY. 2006

grants/awards
Council for the Arts at MIT, Director's Grant, Cambridge, MA. 2007
Millay Colony for the Arts, Artist Residency, Austerlitz , NY. 2005.

bibliography
The Arlington Advocate BeastyFeast takes look at modern animal relationship. December 15, 2005.
The Marion Star Language and art merge at Kuhn gallery in April. April 21, 2005.
The Wire, issue 240, February 2004, page 81, review.
Afterimage: The Journal of Media Arts and Cultural Criticism vol. 28, No. 4, January-February 2001, pullout supplement.

collections
Sound Art Museum RadioArteMobile. Curated by Lorenzo Benedetti, Riccardo Giagni and Cesare Pietroiusti. Rome, Italy.

	Georgina Lewis
	home \| sound \| images \| contact \| cv \| other printable .pdf

	education Bard College Annandale-on-Hudson, NY. MFA School of the Museum of Fine Arts Boston, MA. diploma Massachusetts College of Art Boston, MA. special student Franklin and Marshall College Lancaster, PA. BA exhibitions/performances 2007 Collision 11 . Curated by Jack Backrack and Dan Paluska. MIT , Cambridge, MA. (upcoming) 2006 Unsafe2 Festival. Sonic Arts program. The Lighthouse. Poole , UK. CAKE. Axiom Gallery. Cambridge , MA. Digital Art Weeks: Stereolith Works Program. Zurich , Switzerland. The Thread Counts Project. Curated by Luanne Stovall and Leila Lee Mitchell. GASP. Brookline, MA. Spark Festival of Electronic Music and Art 2006. University of Minnesota, Minneapolis, MN. The International Women's Electroacoustic Listening Room Project: Voices on the Edge. Curated by Pamela Madsen. Weisman Art Museum, Minneapolis, MN. Collision 9. Curated by jackbackrack, Dan Paluska, and Brian Knep. Art Interactive, Cambridge, MA. 2005 Sounds Electric ‘05. National University of Ireland. Maynooth, Ireland. Aqua Art Sound Broadcast. Curated by Susan Robb. In conjunction with Art Miami. Miami Beach , FL. Beastyfeast. Curated by Alexandra Metral. Arlington Center for the Arts. Arlington, MA. Collision 8/ el ocho. Curated by jackbackrack, Dan Paluska, and Brian Knep. Art Interactive, Cambridge, MA. FILE 2005: Electronic Language International Festival. Sao Paulo, Brazil. MFA Thesis Show. UBS. Red Hook, NY. Art Word: Word Art. Wayne and Geraldine Kuhn Fine Arts Gallery. Ohio State University at Marion. Marion, OH . Merging Voices: Fourth Annual Women in New Music Festival. Listening Room. Curated by Pamela Madsen. Cal State Fullerton. Fullerton, CA . This is Not an Archive. Center for Curatorial Studies. Annandale-on-Hudson, NY. Art's Birthday. Web-cast by reverie: noisecity. Vancouver, BC. 2004 Postcards from the Edge, Visual AIDS benefit. Brent Sikkema Gallery. New York, NY . 7th Annual CEAIT Festival. REDCAT (The Roy and Edna Disney/CalArts Theater), Los Angeles, CA . Women's Listening Room. CSUF Recital Hall , Cal State Fullerton. Fullerton, CA . 2003 The Diagram, issue 3.6. Winter 2003/4, curated by Shannon Fields. Pulse Field. Georgia State University Galleries. Atlanta, GA. 2002 Student Voices: Independent Work. Grossman Gallery. Boston, MA . The Synergetic Ensemble. The Berwick Research Institute. Curated by David Matorin. Boston, MA . 2001 Why Pinhole? Visual Studies Workshop. Curated by Stephen Eckel. Rochester, NY . Dangerous Waves: Art of Sound. School for the Museum of Fine Arts. Boston, MA. The Seeds of Cinema. The Robert Beck Memorial Cinema. New York , NY. 2000 Roll Call . The American Cinema Classics Appreciation Society Pop-A-Top Bijou. Boston, MA. 1999 Group Show. Center for the Visual Arts of the University of Toledo. Toledo, OH. Celebrating New Technologies. The Photographic Resource Center. Boston, MA. Video screening. Pan 9. Allston, MA . Love and Despair. National Video Boston. Boston, MA. broadcast free103point9. Giant Ear))). Brooklyn, NY. 2006 grants/awards Council for the Arts at MIT, Director's Grant, Cambridge, MA. 2007 Millay Colony for the Arts, Artist Residency, Austerlitz , NY. 2005. bibliography The Arlington Advocate BeastyFeast takes look at modern animal relationship. December 15, 2005. The Marion Star Language and art merge at Kuhn gallery in April. April 21, 2005. The Wire, issue 240, February 2004, page 81, review. Afterimage: The Journal of Media Arts and Cultural Criticism vol. 28, No. 4, January-February 2001, pullout supplement. collections Sound Art Museum RadioArteMobile. Curated by Lorenzo Benedetti, Riccardo Giagni and Cesare Pietroiusti. Rome, Italy.


	© Georgina Lewis 2004-07