Georgina Lewis  
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education
Bard College Annandale-on-Hudson, NY. MFA
School of the Museum of Fine Arts Boston, MA. diploma
Massachusetts College of Art Boston, MA. special student
Franklin and Marshall College Lancaster, PA. BA


exhibitions/performances
2015
Doppelgänger. Atlantic Works Gallery, Boston, MA.
Photography Now. University Place Gallery, Cambridge, MA.

2014
The Triggering Town: Details of Subtle Significance. Curated by Randi Hopkins and Zelana Davis. Mills Gallery, Boston, MA.
More Human. Boston Cyberarts Gallery, Boston, MA.
The Lightning Speed of the Present. Curated by Lynne Cooney. 808 Gallery at Boston University, Boston, MA.

2012
Process Goes Public. Curated by Debra Olin. Mills Gallery, Boston, MA.
CC18: present. Curated by William Tremblay, John Slepian, and Bob Kephart. Boston Cyberarts Gallery, Boston, MA.
Mixed Signals: Re-presenting Sensory Information. Curated by George Fifield and Heidi Kayser. Boston Cyberarts at Atlantic Wharf Gallery, Boston, MA.

2011
Bumpkin Traces. Studio Soto, Boston, MA.
You are my Sunshine. Axiom Gallery, Boston, MA.
COLLISION16:fluid. by William Tremblay and John Slepian. Axiom Gallery, Boston, MA.
Identity Element: works from the New Axiom Group. Axiom Gallery, Boston, MA.

2010
COLLISION15:findings. Curated by William Tremblay and Yuri Stone. Axiom Gallery, Boston, MA.

2009
Wired for Sound. Curated by Jeremy Van Buskirk. Longy School of Music , Cambridge, MA.
COLLISION14:pov. Curated by William Tremblay. Axiom Gallery, Boston, MA.

2008
December Sunwatchers. Curated by Brenda Hutchinson (as part of her year long Daily Bell 2008 project). Broadcast on 103point9 fm, New York , NY and archived online.
C1101 - Superartificial. Curated by William Tremblay and Jack Backrack. Axiom Gallery, Boston, MA .
Real pARty. Real Art Ways , Hartford , CT.

2007
Collision 11 . Curated by Jack Backrack and Dan Paluska. MIT , Cambridge, MA.

2006
Unsafe2 Festival. Sonic Arts program. The Lighthouse. Poole , UK.
CAKE. Axiom Gallery. Cambridge , MA.
Digital Art Weeks: Stereolith Works Program. Zurich , Switzerland.
The Thread Counts Project. Curated by Luanne Stovall and Leila Lee Mitchell. GASP. Brookline, MA.
Spark Festival of Electronic Music and Art 2006. University of Minnesota, Minneapolis, MN.
The International Women's Electroacoustic Listening Room Project: Voices on the Edge. Curated by Pamela Madsen. Weisman Art Museum, Minneapolis, MN.
Collision 9. Curated by jackbackrack, Dan Paluska, and Brian Knep. Art Interactive, Cambridge, MA.

2005
Sounds Electric ‘05. National University of Ireland. Maynooth, Ireland.
Aqua Art Sound Broadcast. Curated by Susan Robb. In conjunction with Art Miami. Miami Beach , FL.
Beastyfeast. Curated by Alexandra Metral. Arlington Center for the Arts. Arlington, MA.
Collision 8/ el ocho. Curated by jackbackrack, Dan Paluska, and Brian Knep. Art Interactive, Cambridge, MA.
FILE 2005: Electronic Language International Festival. Sao Paulo, Brazil.
MFA Thesis Show. UBS. Red Hook, NY.
Art Word: Word Art. Wayne and Geraldine Kuhn Fine Arts Gallery. Ohio State University at Marion. Marion, OH .
Merging Voices: Fourth Annual Women in New Music Festival. Listening Room. Curated by Pamela Madsen. Cal State Fullerton. Fullerton, CA .
This is Not an Archive. Center for Curatorial Studies. Annandale-on-Hudson, NY.
Art's Birthday. Web-cast by reverie: noisecity. Vancouver, BC.

2004
Postcards from the Edge
, Visual AIDS benefit. Brent Sikkema Gallery. New York, NY .
7th Annual CEAIT Festival. REDCAT (The Roy and Edna Disney/CalArts Theater), Los Angeles, CA .
Women's Listening Room. CSUF Recital Hall , Cal State Fullerton. Fullerton, CA .

2003
The Diagram, issue 3.6. Winter 2003/4, curated by Shannon Fields.
Pulse Field. Georgia State University Galleries. Atlanta, GA.

2002
Student Voices: Independent Work
. Grossman Gallery. Boston, MA .
The Synergetic Ensemble. The Berwick Research Institute. Curated by David Matorin. Boston, MA .

2001
Why Pinhole? Visual Studies Workshop. Curated by Stephen Eckel. Rochester, NY .
Dangerous Waves: Art of Sound. School for the Museum of Fine Arts. Boston, MA.
The Seeds of Cinema. The Robert Beck Memorial Cinema. New York , NY.

2000
Roll Call . The American Cinema Classics Appreciation Society Pop-A-Top Bijou. Boston, MA.

1999
Group Show. Center for the Visual Arts of the University of Toledo. Toledo, OH.
Celebrating New Technologies. The Photographic Resource Center. Boston, MA.
Video screening. Pan 9. Allston, MA .
Love and Despair. National Video Boston. Boston, MA.

residencies/grants/fellowships
HyperStudio fellow, Program in Comparative Media Studies, MIT. 2013-present.
metaLAB@Harvard fellow, Harvard University, Cambridge, MA. 2012-13.
Bumpkin Island Art Encampment, Boston Harbor Islands (Bumpkin Island), 2011.
Virginia Center for the Creative Arts, Amherst, VA. Residency. 2010.
Council for the Arts at MIT, Director's Grant, Cambridge, MA. 2007
Millay Colony for the Arts, Artist Residency, Austerlitz , NY. 2005.

curatorial
COLLISION: Stealing from the Real: Simulation and sense making. Curator. Boston Cyberarts Gallery, Boston, MA. 2015.
Without Words Film Festival. Juror. Metz, France. 2014.
COLLISION17:transformer. Co-curator (with William Tremblay) of an international show of artworks exploring the theme of the artist as transformer: of perception into ideas. Axiom Center for New and Experimental Media, Boston. 2012.
Pattern Recognition. Exhibit Co-coordinator for a show of emerging Boston area new media artists. Axiom Center for New and Experimental Media, Boston. 2011.

public talks
Artist's talk. Dialogue Box, Boston. April, 2015.
The Artist's Hand. Mill's Gallery, Boston. 2014.

recordings
Unsafe Sonic Art. Produced/released by Chaotic System. Poole, England. 2007.

publication
The Archive of Failure. Edited by Aaron Head, funded by Arts Council England. 2013.
Journal of Art Libraries Society of North America/ARLISNA. Review: Camoupedia: A Compendium of Research on Art, Architecture and Camouflage. April/May 2010.
Digital Artifact. Issue 2, Transnationalism. Fall 2008.

bibliography
The Boston Globe, Cate McQuaid, Island inspiration. September 7, 2011. Living Arts Section: G-5.
Big Red and Shiny, Matthew Nash, Collision Collective: Superartifical @ Axiom. #83, May 26, 2008.
Digimag. Beatrice Bonfanti, translated by Giulia Artioli. Digital Art Week. Issue 16. July/August, 2006.
The Arlington Advocate BeastyFeast takes look at modern animal relationship. December 15, 2005.
The Marion Star Language and art merge at Kuhn gallery in April. April 21, 2005.
The Wire, issue 240, February 2004, page 81, review.
Afterimage: The Journal of Media Arts and Cultural Criticism vol. 28, No. 4, January-February 2001, pullout supplement.

collections
Sound Art Museum RadioArteMobile. Curated by Lorenzo Benedetti, Riccardo Giagni and Cesare Pietroiusti. Rome, Italy.